The last in our mini series of episodes about doppelganger films is one about a little known Roger Moore gem: The Man Who Haunted Himself, from 1970. The swinging sixties are never over if you’ve got a reckless, hard-living double of yourself running around town causing trouble. We discuss the tension of determining what is reality and what’s in one’s head, how much we enjoy a solid psychological thriller, and why emotional repression is probably not the way to live one’s life (even if it doesn’t result in an evil doppelganger).