Quiet Little Horrors

Who wouldn’t like to chat about elaborate murder plots, sexual deviancy and cats? We gear up for our discussion of this month’s full-length episode on The Innocents with a mini episode on 1969’s Eye of the Cat.

This month we’re covering films with the theme of a loss of a child, and A Dark Song ratchets this theme to a whole new level of transformation. We discuss its complex characterizations, evolving emotions and transcendent turns.

This month we’re talking about movies that deal with the loss of a child, beginning with 1980s The Changeling. It’s a good start, but this one falls short of what we were hoping for. We discuss the psychological underpinnings we were expecting to see emerge more and how expectations for that sort of thing in horror films have evolved.

We continue our discussion of horror and fairy tales with 2020’s Gretel & Hansel, a slow-burn, coming-of-age tale from director Oz Perkins, and dive deeper into our thoughts about how horror mirrors the journey of a girl moving through a challenging world.

The story of Red Riding Hood gets meta and bloody as we kick off a month of fairy tale horror with 1984’s The Company of Wolves. We discuss the legacy of fairy tales, the influence of writer Angela Carter and why horror is such a perfect vehicle for female coming-of-age stories.

We head into a world of Thai folk beliefs, evil spirits and familial strife with 2021’s The Medium. This one ends up diving headfirst into traditional horror, but we’re more affected by what’s going on under the surface.

We begin a month’s discussion of folklore in psychological horror film with 2019’s La Llorona. Despite its honor as Guatemala’s submission for best international film, this one seems to have been overshadowed by lesser films with the same story device, but we think it deserves more recognition for its effective and affecting use of myth.

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We continue our month of discussing the intersection between horror and noir with the 2021 adaptation of Nightmare Alley. We compare it to the original adaptation and delve into the differences in character motivations, plus we consider if director Guillermo del Toro’s influence tips this film into full “horror” territory.

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This month we discuss the dark intersection between horror and noir, beginning with the 1947 adaptation of Nightmare Alley. Carnivals, cons and a slow descent into fated madness. Fun for the whole family!

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We continue this month’s discussion of the horror of old age and generational trauma with 2020’s Relic, directed by Natalie Erika James. A slow-burn psychological horror woven among three women of the samily but different generations, this one leads to surprisingly tender hidden places.

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