A podcast about films of quiet horror
Quick note: Our apologies for the delay with this episode—Jen was moving and has been even more scattered than usual.
We’re working our way through a series of episodes about films featuring doppelgangers and doubles, and for this one we reach back to classic Hollywood: Hitchcock’s Vertigo. We discuss the meta machinery of making the “perfect” woman, how women end up participating in the same machinery themselves, and how much we love Midge.
And we’re back! We took a brief break and have returned with a long stretch of movies on a favorite theme: doppelgangers. We begin with 2010’s Black Swan and discuss how it holds up over a decade after its release—especially these days, when the psychological horror film landscape is crowded with more unhinged women than you can shake a stick at, if that’s your sort of thing.
You know what’s really scary? Songwriter’s block. And also maybe ghosts. But also maybe not? The Strings is one of the quietst and most subtle films we’ve covered, almost entirely about interiority, isolation, and the prices people pay for creation. But also maybe ghosts? Who can say.
This month we’re delving into sound and music and all of their meta cinematic potential, beginning with the extremely meta Berberian Sound Studio. We discuss the practical art of sound effects, the tremendous performance of Toby Jones, and how one of our favorite movie endings is the dissolution of reality (we’re very normal, that’s why we have this podcast).
We go deep into the Irish wilderness for a found footage folk horror romp full of cults, secrets, and annoying young people with 2016’s Crone Wood.
We go back to our roots with this overlooked gem of classic British folk horror, Robin Redbreast. Contains some progressive perspectives current society seems to have retreated from and enduring the life lesson that you should never sleep with boring men, however pretty they are.
We get experimental with one of our favorites from the past year, Enys Men, and discuss the wide range of folk horror, the deadening repetition of women’s lives, and being unstuck in time and space. You know, a nice, normal start to 2024.
Happy New Year! With 2023 in the books, we take a look back at our favorite films from the past year, new and old, and what we’re looking forward to in 2024.
Now that we’ve discussed the original Black Christmas, there’s nothing else to do this year but take a look at the two remakes: one from 2006 and one from 2019. They both have a hard time living up to the first, they each have a charming weirdness worth watching.
Merry Christmas! Don’t answer your phone! Or trust your weirdly controlling boyfriend! But do drink and insult people à la Margo Kidder as Barb. Let’s talk about the original Black Christmas.